The Thousand and One Nights | Summary, Themes, & Facts | flowkit-numecagroup.comBy Heart is a series in which authors share and discuss their all-time favorite passages in literature. Though the Persian story collection One Thousand and One Nights has been famous for centuries, today, few people dare to actually read it. Its unwieldy length several thousand pages , expansive narrative structure, and uneven quality make cover-to-cover completion a foreboding prospect--plus, no definitive version exists. Also known as The Arabian Nights , the set of folktales was passed down orally until the 9th century and then compiled into an array of differing written versions and translations. Storytellers and scribes added, subtracted, and altered individual stories for ages, so even if you wanted to read the "whole thing," the question remains: Which one? One thing all versions share, however, is a sophisticated narrative device: the famous frame story of Shahrazad, a brilliant woman forced to marry a bloodthirsty king who kills his wife each night and marries a new one in the morning.
In Search Of History - Arabian Nights (History Channel Documentary)
Kay Nielsen’s A Thousand and One Nights
Its tales of Aladdin , Ali Baba , and Sindbad the Sailor have almost become part of Western folklore , though these were added to the collection only in the 18th century in European adaptations. As in much medieval European literature, the stories— fairy tales , romances , legends , fables , parables , anecdotes , and exotic or realistic adventures—are set within a frame story. Then, loathing all womankind, he marries and kills a new wife each day until no more candidates can be found. His vizier , however, has two daughters, Shahrazad Scheherazade and Dunyazad; and the elder, Shahrazad, having devised a scheme to save herself and others, insists that her father give her in marriage to the king. Each evening she tells a story, leaving it incomplete and promising to finish it the following night. The stories are so entertaining, and the king so eager to hear the end, that he puts off her execution from day to day and finally abandons his cruel plan. Though the names of its chief characters are Iranian, the frame story is probably Indian, and the largest proportion of names is Arabic.
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Kay Nielsen’s Enchanted Vision. The Kendra and Allan Daniel Collection
It is often known in English as the Arabian Nights , from the first English-language edition c. The work was collected over many centuries by various authors, translators, and scholars across West, Central, and South Asia and North Africa. Some tales themselves trace their roots back to ancient and medieval Arabic , Persian , Indian , Greek , Jewish and Turkish  folklore and literature. A Thousand Tales , which in turn relied partly on Indian elements. The stories proceed from this original tale; some are framed within other tales, while others are self-contained. Some editions contain only a few hundred nights, while others include 1, or more.
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She earned an MA in London and was director of a photography gallery before editing books. She has curated numerous exhibitions and has lectured and written extensively on the history of prints and drawings from the 16th through the 20th century. She has published numerous articles and organized exhibitions on A Thousand and One Nights. British art historian Colin White specializes in earlyth-century illustration, including the work of golden age legends Edmund Dulac, Jessie M. King, Thomas Mackenzie, and Kay Nielsen. He has also written on sentimentality in art, Edward Ardizzone, and W.